Representation of Urban Culture in the Literary Works of Anzia Essay

Representation of Urban Culture in the Literary Works of Anzia Yezierska and Carl Sandburg - Essay Example In her fifty-year writing career, the major theme of organizing throughout her mechanism is the cost of acculturation and incorporation among refugees. Her stories offer nearby into the meaning of emancipation for refugees' mainly Jewish immigrant women. Many of her works of narrative can be branded semi autobiographical. In her writing, she illustrates a lot on her personal life as a migrant in New York's Lower East Side. Her works, therefore, trait elements of realism with serious notice to aspect and skilful utilization of Yiddish-English dialect. At the same time, sentimentalism and extremely romanticized typescript have encouraged some detractors to label her works as romantic. In All I Could Never Be and Red Ribbon on a White Horse, Yezierska figured out their love as an ideal amalgamation of two cultures that verifies disillusioning. This story of the Gentile tutor and suitor happened to an example that persisted throughout her works, as Yezierska inspected the alteration of imaginative migration women from greenhorns to Americans. The achievements of Anzia Yezierska early short stories led to a succinct, but noteworthy, relationship between the novelist and Hollywood. Movie maker Samuel Goldwyn acquired the rights to Yezierska's collection Hungry Hearts. The film was shot on site at New York's Lower East Side. ... In 2006, an original attain was collected to escort the film. Yezierska 1923 novel, Salome of the Tenements" was too shaped as a still picture. Although Yezierska own semi-autobiographical occupation had donated to this rags-to-riches picture, she found herself scratchy with person touted as a case of the American Dream. Irritated by the triviality of Hollywood and by her possess estrangement from her extraction, Yezierska arrived to New York in the mid-1920s and sustained publishing novels and stories. Carl Sandburg He was an American poet, historian, and author. He was born in Galesburg his parents were Swedish. He lived in the Midwest, primarily Chicago, in Flat Rock, North Carolina. He lived there with his wife and children's until his death that was in 1967. To a great extent of Sandburg's poetry fixed on Chicago, and he was a foremost figure in the group of writers belonging to this city who shaped the fictional association called the Chicago Renaissance. His well-known portrayal of the city is as Hog Butcher intended for the World/Tool Maker, Stacker of Wheat/Player among Railroads and the Nation's Freight Handler, /Stormy, Husky, Brawling, and City of the Big Shoulders. In 1916 Sandburg had his first real experience of sensation as a poet with the publication of his first openly applauded volume, Chicago Poems, of which the title poem, "Chicago," fascinated popular attention In the poem, he portray the city as "stormy, husky, brawling a curved brutal place. He portrayed the people of the city with a cruel realism: prostitutes, gangsters, browbeaten factory labours and their families ravenous on low wages. Sandburg's Chicago, though, for all its unevenness and brutality was alive brawny cunning.

Comparing The Corner Residents and Dostoevsky’s Underground Man Essay

Comparing The Corner Residents and Dostoevsky’s Underground Man      Ã‚  Ã‚   I am a sick man.... I am an angry man. I am an unattractive man. [...] I don't understand the least thing about my illness, and I don't know for certain what part of me is affected. I am not having any treatment for it, and never have had, although I have a great respect for medicine and for doctors. [...] No, I refuse treatment out of spite. (Dostoevsky 1864: 17)    Fyodor Dostoevsky wrote these words around 1864 to describe the mental state of a hyperconscious retired bureaucrat whose excessive analysis and inability to act separate him from the mainstream of the society in which he lived. Dostoevsky's underground man, as he termed his character, is characterized by alienation, spite, and isolation. Dostoevsky presents the life of his character as a testimonial to the possibility of living counter to an individual's own best interests.    Frequently, the public debate over the those problems which occur in poverty-ridden urban environments is presented as if the inhabitants were copies of Dostoevsky's underground man who differed mainly in that they frequently had less education and more pigment in their skin. That is to say, although there are valid comparisons that can be drawn between the Underground Man and the inhabitants of west Baltimore who are so vividly depicted in The Corner, there are also important differences that make any claim of strict equality between a Russian intellectual from the nineteenth century and a 20th-century tout or slinger an absurd caricature. Moreover, the intent of portraying inner-city residents as Underground Men and Women is, frequently, to blame these people for all of their own problems, something t... ...and we may be in for another string of disappointing years in the War on Poverty and the War on Drugs.    Works Cited and Consulted: Dostoevsky, Fyodor. (1864) Notes from Underground. Trans. Jessie Coulson. Middlesex, England: Penguin Books. Hacker, Andrew. (1998) Two Nations: Black and White, Separate, Hostile, Unequal. In Reading Between the Lines: Toward an Understanding of Current Social Problems. Ed Amanda Konradi and Martha Schmidt. London: Mayfield Publishing Company. Simon, David & Burns, Edward. (1993) The Corner: A Year in the Life of an Inner-City Neighborhood. New York: Broadway Books. Wilson, William Julius. (1998) "Ghetto-Related Behavior and the Structure of Opportunity" in Reading Between the Lines: Toward an Understanding of Current Social Problems. Ed Amanda Konradi and Martha Schmidt. London: Mayfield Publishing Company.

How to Stop Worrying

General Outline Specific Purpose: To inform my audience on how to stop worrying and start living. Central Idea: We can stop worrying and start living by live in the moment, stop recycling the past, and stop trying to save the world. Main point 1: We can stop worrying and start living by live in the moment. Main point 2: We can stop worrying and start living by stop recycling the past. Main point 3: We can stop worrying and start living by stop trying to save the world.Introduction It is very easy to expend all of your energy worrying. I have learned that everyone worries to some extent it could be about something little like what you think you got on a test, or something big, like one of your family member is dying. One way to get out of the worry habit is to heighten your awareness of the present. Things are happening all around us every minute of the day. Why not focus on what is happening now by live in the moment.Outline of the Main Point Main point 1: We can stop worrying and st art living by live in the moment. 1. What is live in the moment? A. Live in the moment is all about living like there’s no tomorrow. 2. Several ways to live in the moment that can make us stop worrying and start living : A. Commit random, spontaneous acts of kindness – donate RM1 to a beggar, picking up a litter or complimenting someone. B.Minimize activities that dull your awareness of the moment – less use of phones and computer, instead go gardening, hiking and hanging out with friends. C. Smile when you wake up. References http://www. huffingtonpost. co. uk/2012/07/31/smiling-lowers-stress-health-benefits-laughing_n_1724400. html http://www. medicalnewstoday. com/articles/248433. php http://www. wikihow. com/Stop-Worrying-and-Start-Living www. positivelypresent. com/†¦ /15-ways-to-live-in-the-moment. html

Recovering History, Constructing Race the Indian, Black,...

Recovering History, Constructing Race: the Indian, Black, and White Roots of Mexican Americans Recovering Aztlan : Racial Formation Through a Shared History (1) Traditionally history of the Americas and American population has been taught in a direction heading west from Europe to the California frontier. In Recovering History, Constructing Race, Martha Mencahca locates the origins of the history of the Americas in a floral pattern where migration from Asia, Europe, and Africa both voluntary and forced converge magnetically in Mexico then spreads out again to the north and northeast. By creating this patters she complicates the idea of race, history, and nationality. The term Mexican, which today refers to a specific nationality†¦show more content†¦Another group who settled near Teotihuacà ¡n were the Mexica who would later be known as the Aztec. The European heritage of Mexicans is complex as well in that the Spanish peninsula was a contested sight and one of migration from Africa, Europe, and the east. The African ancestry of Mexicans is perhaps the most straightforward in that most of the slaves that were brought into Me xico came from the west coast of Africa and specifically the kingdom of Mali. The Malinke people of Mali, who were left vulnerable by ecological disaster and war, were unable to defend themselves militarily and became an easy target for the Portuguese slave traders. (3) By situating each of the three major groups involved in the formation of the Mexican people as she does, Menchaca, prepares her reader not for a story of separation by race, but one of thoroughly blended racial identity. During the Spanish period, though class structure was always of the utmost concern, she situates racial mixing as an integral part of the Spanish conquest of America. By befriending and allying themselves militarily with the Tlaxcalan people of Central America they were able to overthrow the Aztec. A key component of this friendship early on was to maintain the established nobility within the Tlaxcalan hierarchy. Loyal Tlaxcalan nobility were given power as regional magistrates where Aztecs had previously ruled. They, in turn, did much of the work of puttingShow MoreRelatedAddress Racial Inequalities : Past And Present1247 Words   |  5 Pagesinequality at the personal level, I chose to look at the perception of racial inequalities through the eyes of white America. First I wanted to address the idea of color blind racism. Bonilla-Silva explains how white America believes that â€Å"the nation is beyond race†¦.and believes they have nothing to do minorities issues with racial inequality.† When whites are asked about racial inequality toward blacks they use the â€Å"it wasn’t me† stance to deny any responsibility. 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