The Mental Front - Literature Essay Samples

Though contextually deviant from one another, the voices of Professions for Women and The Yellow Wallpaper both embrace the same themes: the potential creativity and splendor of the female mind, and the oppression a woman must overcome to realize this potential. While also detailing her personal struggle in the field of writing, Virginia Woolf addresses the obstacles a woman faces in her path to mental unity, namely the burden of men and the female inclination to succumb to it. Charlotte Gilman portrays this struggle as an actual situation, as the narrator of The Yellow Wallpaper finds herself pitted directly against both her own mental affliction and the oppression of men, much as a Roman Gladiator would face the lions. Sadly, the narrator cannot overcome her personal Angel of the House as Woolf had; the obstacles decimate and devour her will and sanity. While Woolf slays her personal demons, the narrator of The Yellow Wallpaper confronts her own, and loses. Viewed by Woolf as some sort of birth defect, the inhibiting factors of the female mind come standard with the birth of a woman. Woolf takes these factors, and balls them up into what she calls the Angel of the House: a semi-conscience, present in the mind of a woman as an entity itself, manipulating its hosts thoughts and actions based upon social expectations. Disclosing that the Angel of the Houses purity was supposed to be her chief beauty-her blushes, her great grace, Woolf depicts the Angel as a creation of the expectation of a woman, the beauty and grace and physical appearance expected of a perfect female. Finding that she needs to rid herself of this inhibition in order to write, Woolf finds the strength of mind and will power needed to destroy her ghosts. Conversely, Gilmans narrator has her imagination and intellect stripped from her by her husband and cannot combat her illness through cleverness and strength of mind. These battles-Woolf against her Angel of the House and the Gilmans narrat or against her impediments-juxtapose physically different yet strikingly familiar enemies. Gilmans narrator, in contrast to Woolfs, possesses an illness of depression from the beginning, making her mind vulnerable to both her mental demons and her husbands unwavering oppression. Providing the reason for Johns officiousness, as the narrator tells that [John] says that with my imaginative power and habit of story-making, a nervous weakness like mine is sure to lead to all manner of exited fancies, she illustrates his inadvertent yet domineering nature, that he believes her own creativity and imagination present not only a hindrance to the alleviation of her condition but also a cause of her depression. Fettering her freedom of mind, John incubates the parasite, the demons, already within her mind, and leaves her defenseless. As Woolf tells us, It is far harder to kill a phantom than a reality, she notes that dispatching a mental opponent does not happen by simply adjusting reality, ye t John heeds not this advice. By forcibly creating a place devoid of distraction for his wife to rest in, in essence the cell in which she lives, John creates a nest for her mental demons, allowing them to grow and fester in her head, gnawing and clawing at her mind until she loses control, becoming insane. In this scenario, the oppression of men that Woolf details aids and abets the Angel of the House, thus it generates an adamant, formidable opponent to the female mind. Though the narrator allows her afflictions to run rampant through her mind, Woolf provides some methods for overcoming her own obstacles, as well as those of other women. Indicting men as unable to realize or control the extreme severity with which the condemn such freedom in women, she points to men as one of the inhibitors of women, yet does not hold them truly responsible for their actions. Just as women come with the Angel of the House programmed into heir minds, so to do men with their intrinsic need to ass ert themselves over the opposite sex. Because men cannot realize or control this primordial sense of domination, women must not hold them in contempt, but take initiative and fix things for themselves. Gilmans narrator cannot solve her own problems, as John has left her literally fettered, and the reader must witness with agony her descent into a state less than human. Woolf shows us that these problems will not be resolved via neglect, but rather from direct action on the part of the victim. The Yellow Wallpaper does not overtly provide advice as that seen in Woolfs essay, but it does provide an example of the lessons therein. The story demonstrates the extent to which a womans mind can decay, if not properly cared for and attended to. Gilman also expounds upon the role of men in the state of the female spirit, as they can easily corrupt and condemn members of the opposite sex. However, both stories confer an underlying sense of optimism. Questioning the role Johns assertivenes s played in his wifes demise, the reader must take into account that John could have helped his wife when she clearly needed someone, instead of condemning her to the prison of a bedroom as he chooses to do. Similarly, Woolf shows how one woman, completely independent, can amend her own problematic situation. The female mind can exist at once splendidly, colorfully imaginative, and fragile, unstable, requiring constant attendance. It is worth fighting for.

In The Joy Luck Club - Free Essay Example

In The Joy Luck Club all the characters names were: Lina St. Clair, Ying Ying, An Mei, Rose, Waverly, Lindo, Suyuan and Jing Mei (June). The first relationship is between June and Suyuan, June is Suyuans daughter, Suyuan recently died 6 months ago, in the film the Joy Luck Club found Suyuans daughters that of which she left on the side of the rode during the war and wanted them to repair their relationship. The next relationship is between Lindo and Waverly, Waverly is Lindos daughter, Waverly being generally successful (even when playing chess when younger) and married to Rich. Then there is An Mei and Rose, Rose is An Meis daughter, Rose is married to Ted Jordan. Then there is Ying Ying and Lena, Lena is Ying Yings daughter, Ying Ying married a cheating man and felt lost she then killed her first child in the bathtub to take the only thing that she had over him. Lena is married to Harold, Harold makes Lena pay for most things that of which she later finds unfair, Lena finds that he doesnt respect her and she ends up demanding respect. The relationship that I chose to closely analyse is between Ying Ying and Lena. This relationship is special or stands out to me because of the fact that Ying Ying killed her own child in China to spite the man she loved but grew to hate, as well as because she expects her daughter to demand what she could not. Lena being Ying Yings daughter, Ying Ying having married a man that she thought was in love with her and had his kid, soon late found out that he was a disgusting cheating man that had no respect for her. With hate in Ying Yings heart she decided to drown her first baby in order to make her husband feel pain. Ying Ying then left her Chinese husband and came to America where she married Clifford and had her daughter Lena. Clifford speaks fluent english but not chinese and Ying ying speaks fluent chinese but not english so in the movie, its found that Clifford often puts words into Ying Yings mouth. After losing her child and her marriage though, Ying ying found herself most times lost and an deep dark spells. Ying Ying puts the traits of not speaking up for herself and not demanding respect onto her daughter, Lena. In Lenas marriage she is married to a man named Harold, Harold making 7x as much as she does, makes has them go half on everything they buy even things that he buys for her or that he buys only for himself. Ying Ying then explains to Lena that she is lacking a demand for mutual respect in her relationship, the same as she did back in China. Ying Ying wishes for her daughter to take charge for what she wants and needs before it is too late, she wants her to find herself and not to accept anyone who doesnt accept who she is. Love between Ying Ying and Lena was expressed by Lena often comforting Ying Ying when she falls into a deep sorrow spell and Ying Ying by explaining her story and that she wants better for her daughter (forcing Lena to break free from her unhappy marriage). In the movie, unlike Waverly and Junes parents, Lena didnt have her mother push her to do any skill, throughout the movie it even seemed as if Ying Ying began to give up trust in the idea that she could be a good mother to her daughter until she explains her story. With Lenas Chinese and American identities she seems to be more intact with her American side, she has an big American style house that Ying Ying addresses as lopsided and her mother doesnt like the way that her house is set up because of Chinese customs, Lena also accepts the idea of ?fair in her relationship before her mother addressed it. Two examples in the movie that reflect these customs is when the Ying Ying went into the room and began to touch things almost tipping over the table, she insults the table and labels it as useless, while Lena calls it a gift. Another example is when Ying Ying was first introduced to Lenas home and Ying Ying looked unpleased by the style, especially when seeing the list of money, Ying Ying sees it as disrespectful and looks down on it, while Lena accepted it also.