Non-Art in Popular Culture Essay Example for Free

Non- blind in Popular Culture EssayWhen discussing trick in popular culture there ar truly few boundaries to adhere to. Al most(prenominal) any form of media back end be considered as trick. But non every(prenominal) works argon good examples of art and there ar several determining constituents that facilitate to decide on the artistic quality of a piece. This essay will discuss in reaction to the above quote the identifiable characteristics of what could be considered art in coeval pop culture. It will rede the rough of the most prominent types of art in popular culture including pathway art, medication mental picture and advertisements or commercialised art. And under which circumstances are they considered to be art whether this is the intention of the piece, or the germinal process that surrounds it or simply the esthetical value that it holds. It will in addition discuss if works produced solo for commercial propaganda are still considered art. And if th e artistic values of the work are influenced on the environment in which it resides. These three determining factors will assist distinguish between art and non art in contemporary pop culture.Art in popular culture varies widely in a range of fanciful forms and media. Popular culture or pop culture has a heavy influence on ofttimes of the works that are created by artists today. (Gibbons, 2005, p. 1) These include all forms of street and public art including graffito and print art that often make statements on pop culture. And as well in a more perfunctory environment including galleries and art m usanceums where there is a large array of contemporary works which reflect on these elements of consumerism.There are numerous well recognised artists that pass on concentrated much of their practice on consumerism and culture. Andy Warhol, is a founder in bringing consumerism to the high art scene in the 1960s (Livingstone 1992), something that had non creation done before. A mo re recent take on this concept is Takashi Murakami and the art bm Super Flat which concentrates on Japanese pop culture and sliceicularly anime and manga. (n. a 2009 Superflat art)Art is not only influenced by popular culture nevertheless it makes up a large part of influential media for popular culture. This form of art foundation be recognised directly in advertising, music, music videos, cartoons and any another(prenominal) form of media that yeastyly puts forth a message, more often that not for commercial propaganda. This is not always the case but this lower form of more accessible art is only open to the public because it is not hemmed in by the confines or laws of the gallery system or the museum.(Stowers 1997) And it quite often forced into lots lives, by occurring in a public space society are forced into viewing these creative works that promote popular culture finished advertisements billboards television tuner and generally in any public space just as they are exposed to graffito art and vandalism. More often than not the environment in which the artwork resides in impingements the values that people give the piece but this is not the only thing that should be considered when depicting the piece as several factors impact the merit of the work.These can include the creative process involved, the purpose of the work and the artistic values of the final piece. (Johnstone 2006) The creative process that is involved in creating an art piece may have huge effects on the final outcome. In some cases its the process that is the work, in others cases it can be just important in developing the meanings and values behind the work and also some pieces may not be understood fully until the intentional processes are understood. The creative process has macrocosm described in four bills these are Preparation, Incubation, Illumination and Implementation.(Charlie, 2008) Going through this four step process is not always occur consciously but has an impact on the outcomes. (Konradsson 1999) Pieces that do not have a creative intention or process behind them can be seriously limited in creative outcome and therefore have limited merit as art. In this case it severely relies on the aesthetic values that other people whence place on the work. And if it has little appeal in terms of colour, line, balance, rhythm and other principles and elements and no creative meaning then is generally not considered to be art.The purpose of the work can also impact the process of how a piece is created. Depending on whether it is for commercial use or purely artistic intentions there can be a lengthy design process which is very calculated in terms of design. The final impact the work is strongly controlled through the elements and principles of design. This is generally used in commercial art such as congressman, graphic design, and advertising and communication media. All these forms of creative work hold artistic value but are not necessari ly considered art to the general public as it is not presented as art but takes on a different primary form, advertising.(Gibbons 2005) This is a similar concept as street art or graffiti as it generally tallyn as a form of vandalism and can be considered as an marrowsore. Though people are more likely to see graffiti for its artistic values and intentions as it dose not generally hold the same connotation as advertising. The reasons and values for why one might engage in graffiti art are as alter as the artists who produce it. A chief reason is the prospect of fame and recognition of ones artistic talent. Graffiti is also a form of self expression. The art as writing is a creative method of communication with other writers and the general public. (Stowers 1997) What it communicates is the artists identity, expression, and ideas like all other art forms but is forced into the public eye unlike art in a gallery. Graffiti is fast becoming popular as a preferred art form of many co ntemporary artists and hold the same fundamental artistic intentions as any other art form. As art we see in galleries have purely the intentions of being art we are more likely to consider that it is art. (Hester 2007) And we find some way of connecting to it via feeling and aesthetic value or the appreciation of the process.The placement of a piece in relation to its surroundings also impacts on the effect it has for example seeing an advertising piece in a gallery we would develop it to be art and created to make a statement about advertising. Where as if it were to be place on a billboard we would consider the primary reason is the promotion of a particular product. It is very problematical to define what art is exactly. According to many artistic directors and critics there is not one single description of art.Art historian Robert Rosenblum believes that the idea of defining art is soremote today that he doesnt think anyone would withstand to do it. (Witcombe n. d)And that more or less anything can be considered as art. (Witcombe n. d) Goldmans aesthetic theory (2005, 345) is of use to clarify the problem of location and presentation in relation to graffiti art. Goldman ( 2005, 346) claims that art takes us to other worlds in a manner that is quite fulfilling sensually and aesthetically The are many determining factors that help us see the artistic values in works how we as individuals read and interpret these through out the work is a matter of pure personal opinion.Some personal factors that establish our opinions on creative works are our knowledge and understanding of art or a piece in particular, likes and dislikes and how we relate to the piece. This combined with the values of the piece that include the process, the intention, the environment in which it is placed and the visual aesthetic values of the work determine how we personally consider the impact of the work. Many people consider art as something appealing to the eye or ear but much o f contemporary art is not like this and a greater understanding of the work is needed to gain an insight to the values is holds. (n. a. 2009)For most people when art becomes hard or impossible to understand right away we tend to headway its merit. This is particularly the case for graffiti as some may argue (Stowers 1997) even when it is in a gallery environment it is too hard to understand, though this should not be a determining factor to deciding whether is considered art as many art work considers deeper intrinsic values. Most of the opposition to graffiti art is due to its location and bold, unexpected, and unconventional presentation, (Stowers 1997) but its presentation and often illegal location does not necessarily disqualify it as art either.The major determining factor is the creative value the tycoon to produce complicated pieces is what separates the tagger from the graffiti artist graffitist for short. Taggers scribble and graffitists do art. (Stowers 1997) So as we can see there are many different forms of art in contemporary pop culture including those that are influenced by pop culture and those that influence pop culture. These can be all forms of Digital Media, advertising, illustration and music as well as art we see in galleries and street art.Not all have the primary purpose of being art but all hold artistic and creative values that can be seen through the process the intention the aesthetic qualities and the surrounding of the work. Some expect to have the primary purpose of being only art while others are created for commercial propaganda. opus the pieces that are generally considered art by the public, have a better aesthetic quality and are initially easier to understand there can not be any set connotations as to what it to be determined as art or non art.And that it is purely what importance, feelings and values the individual viewing the work sees. eccentric ListCharlie, 2008. Demystifying the Creative Process http//www. produ ctiveflourishing. com/demystifying-the-creative-process/ (accessed 28/04/2010) Gibbons,J. 2005 Art and Advertising. P. 1-12 New York I. B Tauris co Ltd Goldman, A. 2005. esthetical Qualities and Aesthetic Value . in Aesthetics critical concept in philosophy J. O Young, p. 345-349 Oxon Routledge. Hester, N 2007. paltry and High What is Art Anyhowhttp//www.monstersandcritics.com/